Milborn House
Ordinary
Borderland Hymns (preview)by Chris Pitts
In the Company of Silent Friendsby Chris Pitts
This & Thatby Chris Pitts
Looking for the Carpenterby Chris Pitts
Unleashedby Crippled Giant
Holy Fieldsby Chris Pitts
Epitaph for a lost friendby Chris Pitts
Dry Leaves On A Bed Of Memoriesby Chris Pitts
Frozen Oranges and 60s Ice Creamby Chris Pitts
December Manby Chris Pitts
The Ancient Cowboyby Chris Pitts
Dawn's Window on the Worldby Chris Pitts
Liverpool Bellsby Chris Pitts
Herbert Moonslot and his Magic Umbrellaby Chris Pitts
Nessieby Chris Pitts
Romeo's Railroad Rememberedby Chris Pitts
Childhood Crimes and Old Bell Chimesby Chris Pitts
Arnold Plum and the Tramper's Doomby Chris Pitts
Branch Lineby Chris Pitts
Between Suffolk Pink and Essex Blueby Chris Pitts
An Englishman ....... ignoredby Chris Pitts
Nayland a Cuckoo Cryingby Chris Pitts
Four Cloudsby Alan Gray
Charalambos Suiteby Alan Gray
Clactomaniaby Alan Gray
Chris Pitts writes in the tradition of English landscape poets. He uses the medium of ‘Symphonic folk’ to give a sense of Pathos to his work.
Although a lot of his work is melancholy it is by no means all like that, the thumping fervour of Arnold Plum tells us that he can be tongue in cheek even when the lyric is serious.
Mark Surrudge
Castle Folk