Bartbrahmsbachbeethovenbroadwoodmozart by Bart Verbeke

When you have to play music that is simply too good, by Brahms or Bach for example, you compensate by playing badly on a bad instrument in a bad location. That way your own music doesn't compare too badly.

Bart studies and analyses a diverse range of styles and traditions, but he avoids adhering to strict formulas and takes a refreshing departure
after mastering the rules. He intentionally let them go, embracing a more spontaneous and expressive approach which results in a unique and authentic sound on the piano