Space Inside by The Cremant

This is an album about my childhood and the memories it is filled with. About imaginary alien friends and feelings of loneliness. About the desire to fly into space and never return.

The space tragedy recorded on tape is about lost childhood days, memories, and people. Here, I try to step out of my comfort zone and start something that can be very tough for me, like singing in English. I created a song on my phone using the Zeeon synthesizer and Phonolyth reverb this time. I played it through the Cosmos Drift Station, which made a distorted background, and then added tape mastering on top. The most complicated thing was singing, but the result was not as awful as I expected.

Unhuman, it's a straightforward song. It's as easy sounding as it could be. Sad, but with a bit of light of hope like I was when I was a kid. Here, I used strong tape effects on top of synthesizers and a calm ambient texture.

Night of the Living Dead used a speech sample from the original movie. It was a way to add some dynamic to the album and show not only sadness but also fear and the starting feeling of the escape.

The Child is an honest song about my childhood. About family ties, parental indifference, and the chronology that stayed with me. The song touches on fragments from childhood, youth, and dark experiences locked in a chest that sometimes cracks.

Party On The Moon is a try to feel happy outside of home. Running away faster than your thoughts. Sometimes is the thing that makes you forget.

In the Wubba Lubba Dub-Dub, I made an open homage to Rick and Morty as a Space Odyssey of modern times. It's a funny explosion of this album in a metaverse. Fast and boomy synthwave.

My Friends Are Aliens marks the transition to the final part of the album. It dramatically releases the tension and tells the story of the decision to fly away to your alien friends. I recorded this song using an organic loop on my Op-Z, a little rhythm part on Polyend Play, and some live drumming. All the parts are slightly out of order because the escape has not yet been formalized.

The penultimate song of the album is called Old Rover and puts an end. I'm not a child anymore. Here I used an ambient part on my Op-Z with my live play on electronic drums.

Snow Outside My Spaceship Window used only electric guitar and effects. I wanted to show epic space outside the window. But stay in a minimal setup at the same time. A Warm Audio ODD Overdrive creates a noisy, powerful sound that goes to the Mood II pedal. Mood II adds a delay and stretching to notes. This effect is already quite spacey but becomes more extensive with the Soma Cosmos on top. Soma Cosmos records this sound and adds an attractive dynamic-pitch tail to it. Last but not least, records come to DAW and are recorded on three separate tracks with the left, right, and central pan. Each track has an extra delay and unique minor effects for lushes. It's a loud and crucial song for this album.

BeatBoyNinja is a vampire born of an ancient clan of electronic alchemists, whose lineage winds through candlelit halls and shadowed catacombs where forgotten drummachines still hum in the dark. His music is a nocturnal scripture written in the tongues of ambient, IDM, chiptune, and the many dialects of the electronic night.

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