"Cinematic molecules from another era, having seeped through fissures in the timeline, arrive on Lalo Mendy disguised as neurological pulsations and astrally projected trailers from a drive-in theater. Does this mean La Constance is here to willy Enter The Dragon and Cool Hand Luke samples all over your nilly? You deserve a slap for even asking, Bun-Bun. The repetitions here feel compulsive and hypnotic, yes, but also off-kilter and Just Not Right, away from which one is loathe to look. Areas rumble like boats traveling where they oughtn’t, shot through with the kazoo-like quack of bleeps and voice fragments and shadows of transmissions intercepted from intercoms at Business Goose HQ. A recurring tempo recalls quasi-synchronous swingsets rocking back and forth as enjoyed by the surreal children often depicted frolicking and assuming recognizably-Constance postures in her paintings and collages. It is also, however, a bit more complicated. Orders from the Supreme Honk simultaneously ooze over and whiz toward an all-femme Space Force, destabilizing civilians like us with Doppler Effect howls that leave us feeling pushed out of an airplane and descending through a hailstorm of whistling meat rocks. Destination: Unarius picnic overtaken by groundskeepers scooping up damaged mechanical heads with shovels." - S.Glass