If I was asked to do a Late Night Tales or Back To Mine compilation, these might be on it. The original recordings occupy a disorienting place in between sonic worlds. Each one may be rooted in a stable style, but they all play with boundaries and expectations. They also share a specific sense of altered states: being on the threshold of a significant shift in qualia. Flashes of the dialectical further this impression of being on the cusp of emergence. My aim was to distill the essential elements and augment them with further processing and additional instrumentation to heighten that which was already present, feeding it back onto itself like an ouroboros of liminality.