being-time by Eric Wubbels (w/ Mivos Quartet / Bryan Jacobs)
Tracklist
| 1. | SEED (Q=0) | 1:17 |
| 2. | Schisma – PANEL I ("Pure Duration") | 10:07 |
| 3. | Schisma – PANEL II ("Harmony") | 15:04 |
| 4. | Schisma – PANEL III ("Tempo") | 7:15 |
| 5. | PANEL IV ("Beating") | 14:57 |
| 6. | PANEL V ("Presence") | 8:09 |
Credits
released November 17, 2017
Eric Wubbels, composition/electronics performance
Bryan Jacobs, electronics programming and performance
Mivos Quartet:
Josh Modney, violin
Olivia De Prato, violin
Victor Lowrie, viola
Mariel Roberts, cello
These recordings were made during a recording residency at the Curtis R. Priem Experimental Media and Performing Arts Center, Rensselaer Polytechnic Institute, Troy, NY and were funded in part through a grant from the Aaron Copland Fund for Music, Inc.
Jeff Svatek, Tracking Engineer
Stephen McLaughlin, Tracking Engineer
Mixed by Bryan Jacobs
This commission has been made possible by the Chamber Music America Classical Commissioning Program, with generous funding provided by The Andrew W. Mellon Foundation, and the Chamber Music America Endowment Fund.
Substantial work on the piece was completed during a residency at the Civitella Ranieri Center in Italy, and the initial rehearsals were supported by a technical development residency at the Curtis R. Priem Experimental Media and Performing Arts Center (EMPAC).
Bryan Jacobs realized the electronics for the piece, in addition to providing essential technical assistance.
Eric Wubbels, composition/electronics performance
Bryan Jacobs, electronics programming and performance
Mivos Quartet:
Josh Modney, violin
Olivia De Prato, violin
Victor Lowrie, viola
Mariel Roberts, cello
These recordings were made during a recording residency at the Curtis R. Priem Experimental Media and Performing Arts Center, Rensselaer Polytechnic Institute, Troy, NY and were funded in part through a grant from the Aaron Copland Fund for Music, Inc.
Jeff Svatek, Tracking Engineer
Stephen McLaughlin, Tracking Engineer
Mixed by Bryan Jacobs
This commission has been made possible by the Chamber Music America Classical Commissioning Program, with generous funding provided by The Andrew W. Mellon Foundation, and the Chamber Music America Endowment Fund.
Substantial work on the piece was completed during a residency at the Civitella Ranieri Center in Italy, and the initial rehearsals were supported by a technical development residency at the Curtis R. Priem Experimental Media and Performing Arts Center (EMPAC).
Bryan Jacobs realized the electronics for the piece, in addition to providing essential technical assistance.
License
All rights reserved.Recommendations
Field of Action / contrapositionby Eric Wubbels
Glossolalia/Lines on Blackby Wet Ink Ensemble
Mahur Clubby Maral
Dialectica - Live at the Music Galleryby Live At The Music Gallery
Anthracite Fieldsby Julia Wolfe featuring Bang on a Can All-Stars & Choir of Trinity Wall Street
Torrentby Alex Mincek
Images of Durationby Yarn/Wire

