1824 by ESTRANJ & METEMPSYCHOSIS KREW

PERHAPS ONE OF THE MOST ICONIC ALBUMS IN ESTRANJ HISTORY, 1824 IS AN UPRISING INTO THE DEEP METAS OF BEYOND AND BETWEEN FROM A SIMPLE POINT IN REALITY... ITS' CONTAINMENTS ARE SCATTERED AND MICED INTO SOME SORT OF FREE FLOWING RESEMBLANCE THAT POSSESSES AN INTERESTING FIRST-HANDED GANDER AT PARELLELS IN METAPHORICAL SUBSTANCE. BEGINNING WITH THE USUAL FEELS OF AURAL WINDS BIND, THIS ALBUM QUICKLY FADES INTO ALL SORTS OF FEELINGS AND SPECIFICALLY CAPTURES AN UNSPECIFIED WEATHER'S TYPE IDENTITY. PERSONIFIED BY A SINGLE DROPLETT OF WATER EMBODYING A DRY LOST WORLD, PROMOTING ALL FLORALS OF LIFE, IN A SOUND SPRAYED AS TRAVELLING MEMORIES THAT SPIRAL INTO A NORMAL APPEARING PROJECT WITH A QUITE INTRICATE ANATOMY. THIS WAS KEY IN CAPTIVATING THE ESSENSIAL YEAR GAP OF MY TIME INTO DEVELOPMENT, AND IF IT WERENT FOR THIS GAP IN YEARS, OR AGE, IN THE ROUTINE OF A FOUNTAINING CREATORS DEFINEMENT, ITS PROLIFIC IN ITS UNDYING AGE AND ADAPTS QUITE MASTERFULLY INTO THE REALMS OF AN EMBRYONIC SUNSET THAT DAWNS A NEW ERA OF MORTIFYING RENAISSANCE THRU SELF MAPPING AND IRONIC ENDEAVORED SUBLIMANY, AS SOMETHING ENORMOUSLY POWERFUL HIDDEN WITHIN THE REELS OF TAPE, IT SPIN.

EDY STRANJ