Heartache Oblivion by Greg Stanina

SPECIFICATIONS
Sony ½ track
Uher ¼ track
Pioneer ¼ track
5 piggyback Marshall Tube Amps in series
Arbitor distorter (Jimi’s)
Marantz Preamps
Marantz Amps
Altec Voice of America Monitor Speakers
Sennheiser Headphones
Drone cognizance and harmonic possibilities vis a vis Lamont Young’s Dream Music
Rock orientation, melodically disguised, i.e. drag
Avoidance of any type of atonality
Electro-Voice high filter microphones
Fender Tremolo Unit
Dunn Tremolo Unit
Ring Modulator/Octave Relay Jump
Fender Dual Showman Bass Amp with Reverb Unit (Pre-Columbia) white
No Synthesizers
No Arp
No Instruments?
--10 db + 57db
--20 hz--+30,000 hz
--12 kz--+28,000 kz
Distortion 0.02 bass and treble ceilings
Combinations and Permuations built upon constant harmonic Density Increase and Melodic Distractions.
STRICT STEREO SEPARATION
No Panning
No Phasing
No

A human breeze, a fluffy nimbus, a gasser and a gasseroo, a soothing sauna, a cool cucumber, a tonic fizz, a sunset sail, a shrug, a wink, and a whistle. And I may or may not suffer from acute Stendhal Syndrome.