Private Energy by Helado Negro

Private Energy is the fifth album from Roberto Carlos Lange a.k.a. Helado Negro. Written and produced by Lange, Private Energy is an interpersonal communication of sounds about his surroundings past, present, and future. In fourteen tracks, Private Energy coalesces into a truly established musical voice.

For the past thirteen years, Lange has created music under a variety of monikers that have allowed him to express and explore experimentation in sound, performance, and music. When he moved to New York City in the mid-2000s, Lange became Helado Negro. It was here where Lange began to sing for the first time — at age 28. The development of his voice is chronicled through each Helado Negro release, an evolving collection of delicate pop songs punctuated by his singular style of singing in both English and Spanish.

Private Energy, which follows 2013’s Invisible Life and 2014’s tour de force Double Youth, continues the work Lange has done as an artist, culminating in the most captivating artistic statement of his career. The music draws from his expansive knowledge of sampling, sound synthesis, recording and history of references, and the album was created as a performance piece in tandem with his Tinsel Mammal dancers. Present at each Helado Negro show, the Tinsel Mammal dancers, costumed head-to-toe in silver strands, are a visual representation of sound and a sensual gateway to profoundly personal lyrics. The Tinsel Mammals are not representative of any human form. They work as a shimmering objects that represent the ideas of genderless and raceless beings and Private Energy’s themes of self-love, pride, and the embrace of constant change.

A South Florida native, born to Ecuadorian immigrants and based in Brooklyn, his upbringing provides essential elements to his songwriting, including his consistently bilingual lyrics in English and Spanish. Exploring the expressivity within intense states of being, Latinx identity, and pluralistic sensibilities, his music can be characterized as lyrically personal and political avant pop music.

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