Phase Inversion by john grzinich

Three tracks of moderate sonic fluctuations in temporal space, infected by the occasional -far from equilibrium- interventions, enough to diversify the stasis.

Research notes: The structural compositions on Phase Inversion have focused on slow shifts in macrotonal formations, while the rich microstructure has received marginal independent attention. Presented here is a mystified and emotive soundscape of possible microstructures formed on the basis of margin transformations, kinetic ties, and deep spatial considerations.

Look around. Listen. Attempt to recognise the multiplicity of material substances surrounding us. Scale the degree of observational tactics. Unexpected shifts may take place, reshaping the familiar patterns and cycles, inverting the conditions of their states and movements. Let uncertainty guide these effects, from steady processes of decay or random events played out by statistical improbability.

Artist, composer and creator of sonic environments. Exploring the perception of sound and space to find resonance between people and places.

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