Solarium by Maxime Denuc

Solarium is an hour-and-a-half organ piece intended for ‘afters’, that period of slack that follows the frenzy of a techno-fuelled night. It leans on dawn’s emotional potency to interweave those in need of the curative benefits of organ frequencies to end the night with those in search of a new temporal encounter to begin the day.

Moulded by the tenets of rave culture, the piece upholds the freedom of its audience. Speakers subtly amplify the instrument in the nave of the church, where listeners wander, sit, stand or lie, to focus on the score or lose themselves in sound.

In an age of digitally enhanced musical overconsumption, fabricating new ways of listening to music together is a means of generating the unheard-of. Instead of a one-way ejection in the face of the public, Solarium spawns the frame of a collective experience that reclines on its braided threads, whether they be sonic, scenic, somatic or social.

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