Glad by Miracle Legion
Tracks 1-3 produced by Miracle Legion and The Good Boys. Recorded in Wintertime 1987 at Presence Studios.
Tracks 4-8 recorded at The Ritz Ballroom in New York City on November 7, 1987. Live Mix by Drew. Pere Ubu joined us onstage for Closer to The Wall. An Instant of musical felicity.
Tracklist
| 1. | A Heart Disease Called Love | 5:28 |
| 2. | Glad | 2:29 |
| 3. | Hey Lucky | 4:41 |
| 4. | Butterflies (Live) | 4:48 |
| 5. | Mr. Mingo (Live) | 3:10 |
| 6. | Wonderment (Live) | 3:36 |
| 7. | Closer To The Wall (Live) | 5:17 |
| 8. | Glad (Live Bonus Track) | 3:12 |
Credits
released April 13, 1988
Credits:
Jeff Wiederschall - Drums
Steven West - Bass
Raymond Neal - Guitar
Mark J. Mulcahy - Sings
-and-
The Good Boys - Drew and Myles
Saxophone - Doc Equis
Clarinet - Bop Tweedie
Trumpet - Davitt Moore
Tromblone - Kenny Konko
Elk Horn - Herbert Chin
Pianny - Jon Russell
-Pere Ubu-
David Thomas - Accordion
Allen Ravenstine - Allen Ravenstine
Jim Jones - Guitar
Scott Krauss - Drums
Chris Cutler - Drums
Tony Maimone - AWOL
Pivot Man - Steve Jacobson
Landscapes - Venture Ltd.
Factotum - Steve Connell
Photos - Ian Churchill
Digital Shepard - Marcus Brannon
All Songs by Mark & Ray
All Songs (c)(p)Paymarx/BMI 2010
Credits:
Jeff Wiederschall - Drums
Steven West - Bass
Raymond Neal - Guitar
Mark J. Mulcahy - Sings
-and-
The Good Boys - Drew and Myles
Saxophone - Doc Equis
Clarinet - Bop Tweedie
Trumpet - Davitt Moore
Tromblone - Kenny Konko
Elk Horn - Herbert Chin
Pianny - Jon Russell
-Pere Ubu-
David Thomas - Accordion
Allen Ravenstine - Allen Ravenstine
Jim Jones - Guitar
Scott Krauss - Drums
Chris Cutler - Drums
Tony Maimone - AWOL
Pivot Man - Steve Jacobson
Landscapes - Venture Ltd.
Factotum - Steve Connell
Photos - Ian Churchill
Digital Shepard - Marcus Brannon
All Songs by Mark & Ray
All Songs (c)(p)Paymarx/BMI 2010
License
All rights reserved.
Miracle Legion are a Connecticut-based band that immediately sprang to life on the heels of a post-R.E.M. guitar rock boom, chiefly because lead singer Mark Mulcahy's voice bore an uncanny resemblance to Michael Stipe's, and the arpeggio guitar structures were akin to Peter Buck's.