Uranium by Isotope Ensemble
Live recording by Miguel Azguime in November 26th & 27th 2021 at O'Culto da Ajuda, Lisbon, during the CSFest XV.
Mix, master & graphic design by Carlos Santos.
Photography by Nuno Martins.
Production by Ernesto Rodrigues.
Tracklist
| 1. | Electroacoustic | 41:43 |
| 2. | Acoustic | 31:23 |
Credits
released September 29, 2022
Ernesto Rodrigues - viola (I, II, III)
Maria Do Mar - violin (II, III)
Miguel Mira - cello (I, II, III)
Helena Espvall - cello (I)
Hernâni Faustino - double bass (I, II, III)
Bernardo Alvares - double bass (II, III)
Luisa Gonçalves - piano (I, II, III)
Miguel Almeida - classical guitar (II, III)
Flak - electric guitar (I, II, III)
Luis Lopes - electric guitar (I)
Abdul Moimême - electric guitar, objects (I, II, III)
Tiago Varela - fan organ, melodica (I)
Armando Pereira - accordion (II, III)
Sei Miguel - trumpet (II, III)
Pedro Almeida - trombone (II, III)
Noel Taylor - clarinet (I, II, III)
Bruno Parrinha - bass clarinet (I, II, III)
Radim Hanousek - soprano saxophone (I, II, III)
Nuno Torres - alto saxophone (II, III)
José Lencastre - tenor saxophone (I, II, III)
Carla Santana - electronics (I)
Ernesto Rodrigues - viola (I, II, III)
Maria Do Mar - violin (II, III)
Miguel Mira - cello (I, II, III)
Helena Espvall - cello (I)
Hernâni Faustino - double bass (I, II, III)
Bernardo Alvares - double bass (II, III)
Luisa Gonçalves - piano (I, II, III)
Miguel Almeida - classical guitar (II, III)
Flak - electric guitar (I, II, III)
Luis Lopes - electric guitar (I)
Abdul Moimême - electric guitar, objects (I, II, III)
Tiago Varela - fan organ, melodica (I)
Armando Pereira - accordion (II, III)
Sei Miguel - trumpet (II, III)
Pedro Almeida - trombone (II, III)
Noel Taylor - clarinet (I, II, III)
Bruno Parrinha - bass clarinet (I, II, III)
Radim Hanousek - soprano saxophone (I, II, III)
Nuno Torres - alto saxophone (II, III)
José Lencastre - tenor saxophone (I, II, III)
Carla Santana - electronics (I)
License
All rights reserved.
Musician and sound artist. In the fields of improved and experimental music, I focus my research on the exploration of a wide scope of sound material, through the use of extended techniques over the alto saxophone. The radio has been a regular presence in my activity and I have been collaborating in different projects at the intersection of performative areas of visual arts and dance.