Abyssal Vectors by Oblivion Aeterna

In Abyssal Vectors, sound unfolds as a cartography of invisible forces, where each frequency behaves like a vector submerged in the abyssal strata of perception. The album is not confined to a mere succession of sequences: it rises as a network of resonant geometries, a space where the mathematics of the Berlin pulse merges with the timeless suspension of ambient.

Each piece functions as a drifting vectorial plane, tracing coordinates that oscillate between the tectonic and the ethereal. Drones emerge as stationary waves of depth, while modular sequences act as vectors of luminous propagation, delineating a horizon that expands into the unfathomable.

The result is an aural atlas of the intangible: a journey into the convergence of the technological and the abyssal, where listening becomes an act of cartographic immersion. Abyssal Vectors does not describe a place, but rather a space of perceptual transit, a threshold where the geometry of sound reveals the secret topography of what vibrates at the edge of memory, silence, and singularity.

Oblivion Aeterna rises as a sonic threshold where memory dissolves into vastness and yet endures as vibration. Rooted in the tradition of Space Ambient, its music does not seek to narrate but to evoke: currents of resonance flowing through silence, spectral flashes folding into invisible geometries, vestiges of a time before time.

Each composition is a fragment suspended in cosmic penumbra.