Dissimulazione by PureData

As PureData, Emiliano Pennisi crafts otherworldly electro-acoustic compositions formed from a vault of sound drawn from synthesis, field recordings and contemporary computer music.

Dissimulazione hints towards a profound knowledge of techno rigour but skirts any obvious geometries in favour of obfuscated and meta-coded electronics, those cultured in laboratory environments. Indeed Pennisi has honed his ear on the historical importance of INA-GRM and Metamkine, purporting to a specific love of Horacio Vaggiones’ work, alongside that of Aaron Dilloway and earlier electronic music via Smithsonian Recordings. These influences can be felt amongst other more academic guides through mathematics and cosmology.

The music is a flickering screen, a boiling crucible and an orbiting craft at once. Jerome Noetingers concept of "Cinema for the Ear" is once again beautifully realised. The music dramatic and often unearthly yet always reconnected to human agency, feelings of disorder, ordered and our earth crawling with insects and digital signals alike, all emitters in the eye of the same.

Without falling further into hysterics and hyperbole allow yourself time to listen and perceive the depth and detail of these works which cover a period between 2016 and 2024 and only scratches the surface of this artists body of work.

ANY ITEMS LOST, DAMAGED OR STOLEN WHILE IN TRANSIT CANNOT BE ACCOUNTED FOR BY THE LABEL .
ALL ITEMS ARE SENT BY SURFACE ECONOMY MAIL INTERNATIONALLY AND BY ROYAL MAIL IN THE UK.

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