Sorales I by Roland Kayn

The tidal swells of ‘Sorales I’ initially place us within an audio-geological parallel which must be becoming familiar to Kayn's listeners by now. But as filtered detritus swings in and out of range like driftwood – given structure by gongs, sweeping fissural bursts of white noise, and the unmistakable tones of plucked metal strings – it becomes apparent that this non-existent post-industrial beach is in fact the orchestral palette inverted, and the very idea of instrumental arrangement is twisted back upon itself in a shocking yet compelling manner.

"The mystery, the grace, the boundless invention – Kayn’s machine music is a vast catalogue of very human wonder." -The Guardian

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