Husband Material by Chase Coley and Pascal Colman
Tracklist
| 1. | Plash | 4:16 |
| 2. | Witness | 1:24 |
| 3. | Seeding Clouds | 7:08 |
| 4. | ( black ) | 3:16 |
| 5. | Low Frequency Impact Treatment | 3:53 |
| 6. | Is This Real | 4:33 |
| 7. | DATURA! | 5:06 |
| 8. | Stained Glass | 1:17 |
| 9. | Marks | 1:44 |
| 10. | Or Birds in the Sky | 10:00 |
Credits
released December 4, 2020
chase coley instruments, radios, television, walkie talkies, piano, things pascal colman guitar, radio, things
maya howard voice on tracks 2 & 9
cameron thomas feedback on tracks 2 & 9
rupert clervaux drums on track 3
frances howard voice on track 4
ben vince saxophone on track 7
sylvia silas voice on track 10
recorded by chase coley
mixed and arranged by pascal colman
mastered by rupert clervaux
album cover by alice howard
PRESS:
Johny Lamb for The Quietus -
"From the very first glistening moments of opening track ‘Plash’, I have a smile on my face, and I know that Husband Material is a release that is going to live with me for some time...Husband Material feels ideally suited to quiet, reflective headphone time. It is a joy to hear. While its ingredients hold all the challenges and noise-based problems of other works in a similar vein, the result is a place of intimate comfort and beautiful structures. Despite the tape hiss, the found sound, the big sudden reverbs, and the machine noise, it is always – somehow – pretty. It shouldn’t be perhaps, but it is...This is a remarkable and strangely accessible piece of work. Tasteful, beautiful and always fascinating."
chase coley instruments, radios, television, walkie talkies, piano, things pascal colman guitar, radio, things
maya howard voice on tracks 2 & 9
cameron thomas feedback on tracks 2 & 9
rupert clervaux drums on track 3
frances howard voice on track 4
ben vince saxophone on track 7
sylvia silas voice on track 10
recorded by chase coley
mixed and arranged by pascal colman
mastered by rupert clervaux
album cover by alice howard
PRESS:
Johny Lamb for The Quietus -
"From the very first glistening moments of opening track ‘Plash’, I have a smile on my face, and I know that Husband Material is a release that is going to live with me for some time...Husband Material feels ideally suited to quiet, reflective headphone time. It is a joy to hear. While its ingredients hold all the challenges and noise-based problems of other works in a similar vein, the result is a place of intimate comfort and beautiful structures. Despite the tape hiss, the found sound, the big sudden reverbs, and the machine noise, it is always – somehow – pretty. It shouldn’t be perhaps, but it is...This is a remarkable and strangely accessible piece of work. Tasteful, beautiful and always fascinating."
License
All rights reserved.Recommendations
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