Liminality by whatsisname
This is my eighth release on Bandcamp. Tracks 1-4 were composed between August 2010 and February 2011, and were remixed between May 2013 and April 2014. Tracks 5 and 6 are more recent and were initially put together between October 2014 and March 2015. Final remixing for all tracks took place between July 2021 and April 2022.
All tracks here are quite upbeat, and not entirely typical of my musical efforts, which is why they appear together on this album. They are not really dance tracks, but are probably closer to that style than my other efforts.
Genre: electronica, synths, ElectroProg, TranceFusion, Acid, arpeggiators, samples, trons, reverb, Deep House
Tracklist
| 1. | Recant | 6:25 |
| 2. | Froth | 5:24 |
| 3. | East Coast Mainline | 8:37 |
| 4. | Hot Hog Infusion | 6:06 |
| 5. | LV-426 | 5:51 |
| 6. | Refrigerant | 7:44 |
Credits
Written, recorded and mixed in 24-bit audio by Whatsisname in EnergyXT2
Instruments:
EnergyXT Drum Sampler, SynthMaster 2.9, Microtrance, OrganOne, GTG 44S, GTG FM 4, GTG MX2008, Hades XT, Image Line Harmor, Dragon II, amphetamine, Psychic Modulation Cubix, SxMJune, ODSay, Cakewalk Z3ta+2, Synapse Dune, HahahaCS33, HahahaCS33V2, Rez V2.0, GenesisCM1.02, Synth1, Image Line Sytrus, Red_Tron_SE, EVM UltraSonique, Cakewalk Rapture, Sonic Charge Microtonic, AAS Lounge Lizard EP-4, Audio Damage Axon, FXpansion Tremor, Cakewalk Rapture, U-He Bazille
Effects:
BlueCat Gain3 Stereo, IK CSR Room, BlueCat Flanger3, IK CSR Hall, U-He Satin, New Fangled EQuivocate, 5ORCERY, EnergyXT Delay, Audio Damage Replicant, iZotope Stutter Edit, EnergyXT Reverb, IK CSR Plate, Nugen Stereoizer, Valhalla Shimmer, Cableguys PanCake 2, 2CAudio Breeze, Audio Damage Replicant
24-bit mastering by Whatsisname in IK T-Racks5:
Linear Phase EQ, Opto Compressor, EQP-1A, T-Racks Brickwall Limiter
License
All rights reserved.
Prog-Rock formed a significant part of my musical upbringing, although this collection of my creations may confuse the casual listener, and I suspect, the experienced listener equally. I note that the proportion of my ambient releases relative to my other works is slowly increasing.