Genesis Winter by Halfwitch
Minimalist fingerpicking guitar instrumental by one half of Wychwood (Tim), from another life.
Recorded by Tristan Blake in 2007 for an audiobook about Jesus:
https://www.davidkitz.ca/bookcart/index.php?route=product/product&product_id=58
Tracklist
| 1. | Love's Descent | 1:40 |
| 2. | Night Music | 4:26 |
| 3. | Dreamshift | 1:19 |
| 4. | Cold Star | 1:08 |
Credits
released January 13, 2020
In a live setting the 'proper' way to play the piece is to repeat each of the 4 sections until a majority of the audience raise their hands to say they're ready to move on to the next part.
This is a simple extrapolation of the ideas behind Terry Riley's "In C," John Zorn's game pieces, and John Cage's chance music. But instead of allowing classical musicians to decide how many times to repeat a phrase (In C), or providing a set of rules for free-jazz players to coordinate and compete (game pieces), or using chance to compose (chance music), the idea is to give the audience a say in how a piece is played.
en.wikipedia.org/wiki/In_C
en.wikipedia.org/wiki/John_Zorn#Early_composition
en.wikipedia.org/wiki/John_Cage#1950s:_Discovering_chance
In a live setting the 'proper' way to play the piece is to repeat each of the 4 sections until a majority of the audience raise their hands to say they're ready to move on to the next part.
This is a simple extrapolation of the ideas behind Terry Riley's "In C," John Zorn's game pieces, and John Cage's chance music. But instead of allowing classical musicians to decide how many times to repeat a phrase (In C), or providing a set of rules for free-jazz players to coordinate and compete (game pieces), or using chance to compose (chance music), the idea is to give the audience a say in how a piece is played.
en.wikipedia.org/wiki/In_C
en.wikipedia.org/wiki/John_Zorn#Early_composition
en.wikipedia.org/wiki/John_Cage#1950s:_Discovering_chance
License
CC BY-NC-SA 3.0. See the Creative Commons website for details.Tags
We identify only half-jokingly as “the world’s first blackgrass band.” We play old murder-ballads and other spooky traditional folk songs, with some bright and sentimental spots thrown in for contrast. Some days we’re acoustic purists. Some days we like to corrupt traditional folksongs with bits of black metal, ambient, and noise music. We’re trying to make folk music dangerous again.