Nez Reglas by B.
You see, when I try to make music, it's quite the mental battle for me so one of my good friends suggested (paraphrased) I should ignore that standard of excellence or those expectations I try to achieve when making a song and try to give it some time. I decided to twist that a bit and connected myself to the music on a more intimate level.
Instead of using just mind and imagined sounds that I just tend to forgot the next second after. I would touch the music instruments and record improvisations straight from my subconscious in real time. I even made a musical piece called "automatic piano playing" which is a variation of "automatic writing" and represents the absolute absence of any notion of logic or what "good" sounds like.
I have to say, this experiment was a success even if significantly rough around the edges. Although, the point wasn't to make "good" music. It was to explore and figure out a new way of writing music and now I can say that this experiment has taught me how to make music again.
And now to explain the final music piece. Basically, it's a slowed and simplified version of me playing Fiddler on the Roof. Why? Because it's a silly little tradition I made. Every time I play on the piano physically I feel that I must end it with something solemn. The title expresses what I feel when I think of when I first started Piano lessons.
